With all this time in self-isolation and social distancing, so many thoughts and themes have been running like a wild horse in my mind. Although I believe strongly that holistic health practices and wellness techniques can create a strong foundation, I feel the need to talk about, and pull some cards, on what happens when wellness techniques aren’t working. What do you do when the toolbox has been emptied and used, with little to no results? The hard truth is that sometimes, despite all our intentions to tend to our needs, there is a deeper wound that refuses to be well.
I sat down to pull a card, and the feeling that kept coming up for me was disappointment. I have been working with my own toolbox of wellness, one that I have been fortifying for years, and yet it has been a true sore spot of me. Turning it over revealed the Wheel of Fortune, a card that speaks to interconnection, nothing is lost or out of place within the wheel. Within the Wheel of Fortune, all moves together or not at all. One strand pulled on the dream catcher could release a knot somewhere else, holding everything in place.
It is also the card of energetic balance and cause and consequence. This brings us back to reality of wellness not always being available, providing a gentle salve of healing. Sometimes, wellness is not available as a healer, not because we are not doing the practices right, or because we don’t care, or are unworthy. Sometimes wellness is not available to us because there is hole deep within the psyche, and the implementation of wellness techniques pokes at that hole, stimulating the trigger that we are not without pain and disappointment and worry and grief.
Sometimes, disappointment festers deep in the unconscious, not stirring or stimulated until we bring forth a practice that should bring us more into alignment. Think of it like an anti-placebo. Being so focused on constantly using wellness techniques to find balance can have an opposite reaction. Hello Wheel of Fortune…..
So much emphasis on one trajectory means that the trajectory we are trying to move away is also turning, and sometimes the dial flips. Now, I am not saying that this means that all wellness practices should be forgotten, or that something is wrong with you if you are finding yourself in this space.
I have been here in some capacity for months. If you find yourself here, you are not alone. If you find yourself feeling disappointment, trying to remedy it, and just rubbing a sore spot…you are not alone. The lesson from the Wheel of Fortune is that all movement, however well intended, often puts the spotlight and what we want keep in the darkness. We cannot move towards wellness without even subliminally or subtly shining a light on from that which we are moving away.
There isn’t a hard or fast answer to remedy this, it may just take some time. One of the only ways I know to confront disappointment or pain or negativity when I have tried other and failed with other factors is journaling. Journaling allows expression over anything-bad good, right, wrong. Journaling is the place to emotionally dump all your shit. It doesn’t always bring an answer, but it can feel good to just get it out. Other ways might be a mantra like: “I am allowed to feel this” or “This too shall pass.”
Other techniques may be watching comedy, reading books, or finding ways to alleviate the brain, and your brain’s chemistry. It may also just need to heal in due time. Disappointment, and a plethora of other emotions, almost have their own brains or personalities, resilient in their attempt to keep us within arm’s length. In the end, the Wheel of Fortune does tell us that this too shall pass, it just may be uncomfortable as hell in the meantime….
I received the Herbcrafter’s Tarot as a birthday present last year, and I am so glad that this deck has come into my possession. I love this deck, and will take the rest of this blog post to break down all the key details about this deck. If you would like to purchase this deck or learn more about it after this blog post, you can click this link, which will take you straight to the Herbcrafter’s Tarot website (this is not an affiliate or promotional code or link). The deck was written by Latisha Guthrie, an herb / kitchen witch, teacher, and homesteader. The artwork is by Joanna Powel Colbert. She has created the Gaian Tarot, the Pentimento Tarot, and also teaches workshops and retreats related to the craft, the Goddess, and more.
What is immediately clear about this deck is that is created with a true knowledge and love of herb-crafting. You do not need a previous knowledge of herbs in order to use this deck. You will need to be invested in learning about the herbs. Each card in this deck relates to a specific herb (the one exception being the World card, which I will get into here in just a bit), so if you aren’t invested in learning about, or using herbs, this probably isn’t the deck for you.
The Herbcrafter’s Tarot is so beautifully made. The cards measure 5″ x 3″ which makes them a decent size. The paper has a nice glossy sheen which makes them easy to shuffle. The illustration for the back of the card has a very different feel than the front of the card. To be honest, I am not in love with the illustration for the back of the card. It feels disconnected from the gorgeous artwork of the cards themselves. The artwork is reversible if your cardback to match your reversal preference. I don’t mind if the image is non-reversible because I still don’t know the particular card chosen until I turn it over, but there many who want card-front and card-back to match.
If you choose to keep the deck in its box, the material has some heft, and will keep your decks well-protected. The green string allows for easy access of the cards, and the guidebook fits snug at the top, making a substantial tarot set. If you choose to put your cards in some other container or bag, I would recommend keeping the guidebook. Normally, I tend to forget the guidebook for my tarot decks, but this deck brings in so much more information, that I find it worthwhile to keep the guidebook on hand.
The guidebook is packed full of information that speaks to the formation of this deck, the intention of the herbs used for each card, and how those herbs are handled or grown in nature. These intentionally chosen herbs also relate heavily to a more numerology-based system of reading. As you can see in the picture below, the herbs chosen do not merely reflect the identity of their corresponding tarot card. They correspond to the numerology and to the herb in nature, and how it is used. Working with this deck and this guidebook will give you a good understanding of herbology, numerology, and tarot, all within one tarot deck!
One of the other main differences is the titles for the Minor Arcana. Instead of staying with the elemental object (swords, pentacles, etc.) for each suit, the Minor Arcana are named in relation to the elements themselves: earth, fire, water, and air. The elemental token that is featured in the minors are:
Fire / mortars and pestles
Water / kettles
Earth / baskets.
Each of these tools are needed to participate fully in herb-crafting. The elements also take on an additional layer of understanding to help with learning and skill acquisition.
Air = learning, fire = creating, water = nourishing, and earth = giving.
This is somewhat similar to a more traditional understanding of the tarot and the elements.
Air / Swords = the mind: thoughts, brainstorming, ideas, and communication.
Fire / Wands= the spirit: creativity, ingenuity, perseverance, and ambition.
Water / Cups= the heart: connection, understanding, compassion, emotions.
Earth / Pentacles= the body: production, tangible, sensory, and environmental.
One of the final differences is the court card titles have also changed. Instead of Page, Knight, Queen, King, the court cards are now named Hija (daughter), Adelita (Warrior), Madre (mother), and Curandera (healer). Each of these titles bring similar energy to the more traditional court cards, but also represent the transformation of energy that comes from the different thresholds of the herb path. Each court card shows an image with outstretched hands, and shows how the herbs are handled differently as you progress through the court rankings.
The picture above has the four court ranks for the element of Fire. The Hija of Fire may be my personal favorite card of the deck. The Hija sits on her blanket, adorned with incense, costume jewelry, California Poppies, and she is both witnessed and protected by her stuffed tiger. She is undertaking the path in a way that is both playful and imaginative. The Adelita of Fire carries the tradition of her people’s medicine by crushing cayenne to make fire cider. The Madre of Fire keeps a whole-hearted and fierce spirit to create and use ingredients that fill her hearth and home. Finally, the Curandera of Fire teaches the power of love and intimacy, healers in their own way.
Speaking of the imagery, Joanna Powell Colbert’s artistic rendering of each card is simply stunning. Her images are so detailed and intimate, that it really feels like a part of time was captured, not just the herb. Each image feels so heavenly, that you can almost smell what’s on the stove, feel the sunshine, or test the nearby water. The artwork is so beautiful and important, but one of the other reasons I really recommend keeping the guidebook is because Latisha Guthrie’s description for each card is informative and easy to understand. Her writings detail how you can either begin or reinforce your herbal path with each herb, and benefit from each card you turn over. It is not a mere guidebook; it is an informative text for the herbal path.
If you have a decent understanding of herbs or numerology, this may be a decent deck to learn the tarot on. If new to all practices, I personally would not recommend learning on this deck, only because there is so much information that comes with this deck. By fully learning tarot through a more standard or straightforward deck, there isn’t a need to learn both herbs and tarot at the same time. However, that is merely my personal opinion, and I am sure that for many people, this deck would create full expansion in their beginning practice.
This deck has been a recent go-to for bringing in an understanding of garden magic and kitchen medicine. I would give this deck a 5/5, it is simply that beautiful, and that useful. I am getting loads of ideas for teas and tincture I want to create. I am gaining a deeper respect for the earth under my feet, and all that comes forth from its foundation. If you want to learn more about herbs, numerology, or gain more knowledge from the expertise of two powerful women who have walked this path for decades, this is a great deck to invest in.
One of the decks that I have chosen to work with for the monthly cards is the new Archetypes deck from The Wild Unknown. I love this deck (and will be posting a detailed review for you to see this deck in depth), but to be clear, a tarot deck is filled with archetypes. An oracle deck is filled with archetypes. The whole world is filled with archetypes. You do not need this specific deck in order to work with archetypes. Like Kim Krans says in the guidebook, there is no one creator of archetypes.
Archetypes are created for and by the collective; that is precisely what makes them an archetype. This deck merely includes the archetypes that Kim Krans felt most connected to in her artistic rendering. The reason that I chose, and want to work with, this deck for the entire year of 2020 is because archetypes are meant to be opened, shared, understood, and integrated. However, as we begin to open the door to the Desert (the archetype for January) it is important to know and understand what exactly an archetype is.
the original pattern or model from which all things of the same kind are copied or on which they are based; a model or first form; prototype.
(in Jungian psychology) a collectively inherited unconscious idea, pattern of thought, image, etc., universally present in individual psyches.
This means that each archetype once started as on original form of itself and took on an identity that transcends the form. Archetypes are steeped in the psyche of the collective, across culture, location, or time. This means that archetypes are therefore steeped in the individual’s psyche as well. Archetypes can take on various layers of form or understanding, but the core identity of the archetype remains the same.
For instance, if I asked you to draw an image in your mind of a witch, what form does it take for you? If I were to mention a female deer, do you see the doe as a victim of the hunt, or as a radiant earth-mother? Both themes exist with the archetype of the doe. The hunt and persecution of a female deer (Bambi anyone?) can then unfold to other archetypes. The gun is often an archetype for male domination and sex (Freud is the most well-known for attributing these phallic archetypes to the idea of male regeneration and women with penis envy). The archetype of the orphan comes in when the Bambi’s mother has been shot down because Bambi is now left alone in this now cruel world.
There is often an overt sexual tone to the archetype of the hunt as well. The pursuer and the pursued match each other in raw visceral energy, opening the door to both themes of violence and sex. I recommend reading the poem Pursuit by Sylvia Plath (a poem written right after she met her future husband, the daunting, charismatic, and unfaithful Ted Hughes) to see how the archetype of the hunt mirrors both themes of violence and sex, predatory and prey.
Archetypes create the way for more archetypes. The archetype of the temple gives way to the archetypes of prayer, candle, healer. The archetype of the ruler brings up the archetype of the crown, the throne, the castle. What this means is that archetypes are fluid, born of the collective perception, but understood through symbols, images and stories. Archetypes arise from the psyche in a way that can show a connection of understanding to the collective narrative. This connection often anchors and comforts us, because it gives us an outline that we can identify within ourselves.
Do you, or do you know people who like to see which Disney, Star Wars, or Superhero character they get on a Facebook quiz? Those are archetypes. They may not be the most accurate, more based on algorithms that honest answers, but it can be comforting to know that your answers reveal an archetype that speaks to you. In fact, while doing some research for this blog post I came across the Jungian Archetype test. You can take it by clicking here.
Another article that really helps to showcase how influencing archetypes are is here. In this article, Jeffrey states that archetypes are patterns of behavior. Archetypes arise during certain situations depending upon predispositions, attitudes, and even perhaps nature versus nurture. These archetypes can, again, be broken down, into smaller categories or other archetypes to explain the complex and multifaceted nature of the human experience or human psyche.
In looking at the archetype of the Desert, we can immediately pull on other archetypes to create a deeper understanding. For me, the Sun (another magnanimous archetype) is present. Many depictions of the Desert also show cacti or even the iconic bull skull. This archetype is one of harsh and fierce, but beautiful energy. The Desert is an archetype that speaks to survival and death. It also speaks to being lost, exposed, and lacking in some way. I have gone in depth to the Desert in my zine which you can access by clicking here.
There is way to much to say about archetypes to be fully contained into one blog post. I would like to end here by saying that archetypes, however you hold to them or not, is something to be open too. Look to where the Desert, or other archetypes, are opening for you. Look to where archetypes are speaking to you, to an idea, or a pattern of behavior and see how the archetype resonates with you. Working with archetypes can be incredibly challenging, highly revealing, or sometimes comical and fun.
I intend to start posting more reviews on my platform: reviews of books, decks (a rare post as I am not a deck collector, but I do still buy the decks that really speak to me), podcasts, music, and more. If you have anything that you would like for me to review, comment below! My first review is going to be on a book that I just finished, The Heart of Wicca: Wise Words from a Crone on the Path by Ellen Cannon Reed.
I would first like to start by saying that I am not a Wiccan, and there may be themes or topics in this book that are over my head or beyond my comprehension because I do not subscribe to the path. I would also like to state that if I write something about this book, or about Wicca in general that is negative or a critique, I am not saying that you are wrong if you are Wiccan, love this book, or anything like that. This is simply a post coming from my personal insight and honesty as a new reader to this book, and these topics.
I picked this book up at a local store some time ago. As much as I know that I will ever become a Wiccan, I do want to learn and understand more about different religions and methodologies, Wicca included. That being said, I did not like this book. I found the tone to be off-putting, condescending, and elitist. The following paragraphs describe specifically what I did and did not like about this book, and why I only gave it a 1 out 5 stars on Goodreads.
First, the book is only 127 pages, which alone is not a problem. What irked me was those 127 pages read like a big condescending rant. The book is title The Heart of Wicca: Wise Words from a Crone on the Path, so I thought that this book was going to discuss some things that are paramount to the Wicca pantheon. Some of this was discussed, but not in any satisfying depth, which is not only disappointing, it is contradictory to the first paragraph. Reed states that other books often only skim the surface of Wicca, which is exactly what I thought of this book. (Reed 1)
One of the first things about this book that put me off was the constant contradiction. Reed would constantly state how other covens, or “new” Wiccans are doing things that irritate her, and then give one small sentence how her covens are not the only ones who do things right. I get the book is from her perspective and will obviously include her opinion, but it got a little tiring to read. From what I could find about the author, she walked this path for a long time before her passing, undoubtedly had a lot of wisdom about the path, and had seen how the path has morphed over time. From what I have heard from others who practice Wicca (how in depth, I do not know), the path is much more formulaic than others it seems. There are certain ways to do things, and ways to not do things. I do not have a problem with traditions, or Wiccans who use tradition in their magick or rituals. It simply read to me that those who don’t hold as much to tradition are doing it wrong, which I disagree with completely.
I was also not aware of how cutthroat the initiation process can be to get into a coven. Reed heavily emphasized that students who wished to be initiated into one of her two covens had to participate for a full year in rituals and traditions, and even then their initiation was not guaranteed. The coven goes off of gut feeling if a person will become an initiate into their coven. I am not saying this is right or wrong. I am simply saying that I did not realize that some covens were so selective. I can see the purpose, but all that did was emphasize why I have never been inclined to join a coven. I am a solitary witch anyway, but I feel like showing up should be organic and honest, a true statement of when and where they can be of service (which no human can always be of service 100% of the time). It should not be for mere attendance.
Again, I see the purpose of wanting a coven to be at its strongest. I can see why coven needs to be more than a social gathering. I can see why covens need to have a certain vulnerability to work through difficulties. Group magick won’t be as effective if some members are holding onto to old gripes, either petty or truly valid. However, I simply could not fathom being accepted or rejected from something I had invested my heart and time into based upon someone’s feeling about me. I also feel that accepting or rejecting someone based on gut feelings leaves room for human error and bias. I find it ironic that during much of the text, Reed makes it clearly known that both students and teachers will at times falter or stumble, as they are human. But, when it comes to the intimate process of bringing in a new and willing participant into the coven, that is left solely to gut feelings and bias.
Maybe that is just me…….
I also feel that people who say a coven always and immediately has stronger magic than a solitary practitioner are honestly just trying to recruit. As a solitary witch, I feel I enter a deeply intimate and magickal experience when I stand in my circle, my guides and the universe the only ones to witness me. I feel free and capable and empowered and deeply loved. No coven, no matter how established, can take that away from me. Reed did say that with the rise in popularity, there is no way that every single Wiccan could join a coven because there are not enough teachers to fulfill the needs of each new practitioner. With how cutthroat the initiation process is, I can see why……
The final point I want to make about snobbish and elitist mentalities come in the chapter about initiation, a chapter I find ripe with contradiction and looking down the proverbial nose on those who don’t follow the same path. Reed states there are two types of initiations: the one that comes from the coven, and the one that comes from spirit. The one that comes from spirit cannot come from a human, or from the self. It can only come from the Gods and Goddesses unveiling the mysteries to you in a process. Putting aside the fact that I disagree with that, I want to focus more on what Reed states about coven initiations. She makes the point that college degrees have fallen in strength, no longer holding the same weight as before, and that she does not want that to happen to her initiates. While I understand her wish for nothing but the best from her initiates, what I took from that is her saying that her coven members are more deserving of the magickal path, and stronger in their magickal creeds. This is simply not true. Credentials are great, but they don’t mean that someone is stronger, more pure of heart, or more deserving of the magickal path than a solitary witch, non-Wiccan witch, or anyone who isn’t in her coven. (Reed 58)
Okay, now on to some things that I agreed with Reed on: working with deities, and certain aspects of training and studying. In working with deities, I agree with her that it is important to treat it like any other relationship. It is not polite to call in a deity simply because you heard a friend or colleague say they did it. It isn’t polite to call them in to fulfill a need without doing some basic research or creating some respectful energy. Some deities will be lifelong influences. Other may be some that you work with on specific occasions. I don’t see a problem with any of that, as long as you approach the relationship with respect, and a willingness to engage in the process with this deity. Take time to read about them, visualize them, give an offering to them, or connect with them before simply asking for things.
I also agree that spiritual work does not, and should not, equal easy. Spiritual bypassing and a refusal to confront the shadow self in the end does more damage, and weakens the spiritual path. There is no race towards the other side of the darkness. There is no hierarchy for who has gone farther, confronted more, or overcome more. Please don’t feel like you taking the time you need to confront the difficult means your spiritual is lesser. In fact, you are doing what others refuse to do. I personally feel that we see this way to much with positivity culture. We need to be willing to share our hurt and pain and fear and dread. Those are just as valuable of spiritual teachers as any mentor or positive moment. I also agree with her that spells are a small section of a big umbrella called magick. I also agree that spell casting should be done wisely, and without vengeance in the heart.
Overall, this book did not pass the mustard for me, which I think I have made clear. Even Reed herself acknowledges on page 127 that the views of her and like-minded individuals may be seen as snobbish, old-fashioned, and elitist. Snobbish and elitist, yes. Old-fashioned, no. I actually wished that her book contained more of her “old-fashioned” views and tenets. I wish that she went more into specifics, and spent less time putting down anyone new to the path, or anyone who may stray from her opinion of how things should be done.
Reed, Ellen Cannon. Heart of Wicca: Wise Words from a Crone on the Path. Red Wheel/Weiser, LLC, 2000.
For 2020, I am going to switch up the decks that I use. The Wild Unknown Archetypes decks is STUNNING. I cannot get over these cards. Plus, archetypes are meant to explored, discovered, understood, and utilized. This makes them the perfect deck for doing a monthly deep dive. The
Wild Unknown Tarot is the companion card, creating a layered message of what archetypal energy is present, and how to invite this potent energy into your life. Patrons will still receive a third card in their monthly card forecast. If you would like to become a patron, click the badge on the right hand side and join the dwelling!
For reference on how to tell upright vs. inverted, I pull every card with my right hand, and then turn each card over pulling from the left side. If I were to take these cards out of the circle, and place them in a straight line, I would then grab from the right side and move left if it’s on its side (horizontal). I hope that makes sense! It can be hard to tell when it is this kind of formation.
I tried to get a picture that did justice to the imags, while keeping the names visible. For clarity, here is the monthly forecast:
January: The Desert and The Hanged Man
February: The Shadow and the 8 of Swords inverted
March: The Eternal Child and the Tower inverted
April: The Poet and the Devil
May: The Castle and the 9 of Wands
June: Eros and the World
July: The Crone and the Mother (Queen) of Swords inverted
August: The Creator and the Ace of Cups
September: The Queen and Temperance inverted
October: Thanatos and Judgement
November: Aletheia and the 10 of Cups inverted
December: The Mirror and the Son (Knight) of Wands
So, that is the forecast for 2020. I am not going to lie, when I say the card pairings for January through April, I said to myself, “Here, we go….” That is not to say that the cards are bad or that I don’t like them. Cards like the Tower and the Devil have some of the most profound blessings, but they are not easy cards to grasp and hold. Those cards, and many others, can be incredibly daunting, and speak to growth in ways that are often uncomfortable or hard to bear at times.
Some things to note about the complete forecast: the year is divided into 6 major arcana cards, 4 pip cards, and 2 court cards. Major Arcana cards speak to great forces, forceful momentum, and encompassing shifts. When a spread, or here a forecast, is dominated by Major Arcana cards, that means that the year forecast is going to see a lot of transformation that is effective more on a grand scale of life, rather than dealing with the more minute details of the day to day. The Majors are archetypes unto themselves. They represent the macrocosm. Their energies are so large that, at times, it can be harder to feel their presence.
We have the 8 of Swords inverted, 9 of Wands, Ace of Cups, and the 10 of Pentacles inverted. With the majority of the pips and court cards falling to the Swords, we can safely say that the majority of the microcosm will be focused on the threshold of thoughts, communication, brainstorming, ideas, and narration. We will be looking into the mental faculties that gauge the energies, and how that logical clarifying accompanies the larger forces at play. The Court cards are the cards that speak to us between the microcosm and the macrocosm. Side note: I do not read Court cards as other people. I read them as the threshold between the majors and the minors. That means that July and December present invitations for a more intimate conversation about how to bridge yourself between the energetic forces and shifts available, and how to make energies available.
What are your thoughts on these card pairings? If you would like to download my free monthly ezines from 2019, do so by the end of the year. After that they will be getting deleted to make room for 2020 ezines. Much love to you!
The end of the year is finally coming to a close. I feel the need to create a little time capsule of my year, and what better place than my blog? For me, this year was a rough one, but also an insanely beautiful one. There were so many things that happened, and many things I really had to confront and face. This was also the year that I really had to admit and confront where I was hurting myself, and my business.
Here were some of the major points of my year:
+My schoolwork consisted mostly of science classes (which is not my strong suit) to finish the requirements for my Associates in the Integrative Health program. Next year, I get to enjoy the Capstone, all about transitioning into the professional world.
+I got to see some whales and experience the beauty of Mexico.
+My cat was on and off sick for months. He was so sick that, at one point, Grizzly and I really thought we were going to lose him. However, my little Zombie survived, and I feel that experience in many ways brought Grizzly and I closer together.
+Some of the other classes that I got to take this year were amazing, including Medicinal Herbs in the Wild, where I met a dear friend, and fell more in love with herbs, and Colorado.
Towards the end of this year, my own health started to take a turn. What first started out as acid reflux, has turned into breathing issues that have persisted for about a month now. The shadow part of me isolated even farther, less willing to do things like see friends, run errands, or get motivation for the things I needed to complete. However, it also brought me closer to spirit, and to myself.
My year card was Strength, and I feel that after this year (I haven’t even mentioned the social injustices and headlines that have impacted and changed me), I have a better appreciation for that card. I also have had to take some time and reconcile with myself the fact that I have had to put myself on ice in regards to my business. I have had bitter moments where I have feel like I’m hitting a wall. I have had moments where it seems like I have been wasting my time. I had had moments where it has felt like no matter what I do for my business, it wasn’t good enough.
(If you would like to know your year card is, add up your birth month and day with the current year. If yours equals something like this (29), you would then add those two together, which equals 11. In the Wild Unknown deck, which is the one I use most often, the 11th card is Strength.)
It was like constantly hitting a wall. It took me a while to realize that I was the wall. My ego was needing certain boxes checked off to feel validated. My spirit just wants to express the tarot, and other modalities, with passion and authenticity. Going forward, I have recognized where I was placing expectations on the outside world, but I really need boundaries with myself. I also needed new projects.
So, come next year I am going to start a podcast. This is something that I am really excited for, and I have been toying with the idea for a while now. I am ready to try something new. I am also going to start putting up physical products, expanding my services, and establishing my platform a little bit more. I was not giving myself was the belief that I deserved a thriving business. I was not allowing myself to feel the confidence needed to thrive. That stops now. It is not welcome in 2020.
If you are feeling overdrawn, overburdened, or anything that does not register with your higher being, I ask to you to see where your beliefs or confidence or compassion for yourself is at. I am not saying that I found the formula for growth. That is a process that I look forward to learning more about as I discover more about myself. I simply ask you to confront and face. You can do it. You are strong. You are worthy. You are gorgeous. If you would like to go deeper into some energy, we can work together, and use the tarot to unleash some needed energy. Next post will be about the deck forecast for 2020.
I wanted to do and write something a little bit differently today. More specifically, my intention is to show a little bit of my process behind certain aspects of my business. Many, if not most, tarot readers charge based on time spent for the reading. There is nothing wrong with this, but I personally have never liked to charge that way. A big reason why is because of my first reading as the client, not the reader.
I went to see a tarot reader long before I knew how to read tarot. To be fair, I had not done my research into the type or reading, or reader, I wanted. I simply had some cash and showed up at a store in Denver. I also had not taken the time to consider what I wanted, and more importantly needed, from my reading. What was the underlying purpose? What would I do with the information given to me? How could I be vulnerable and hear both the good and bad the cards may bring forth? I asked myself none of these question. (I would like to spend a whole post on the etiquette between reader and client, but I digress….)
So I show up at a store, cash in hand, ready for my reading. I asked if anyone was available to read for me. A woman was, and although I do not expect or want an overly fluffy or lovey-dovey reader (that is not my style), this woman was cold and not very friendly. We went to a section of the store, that was separated by nothing more than a divider. This made my walls go up. I didn’t know exactly what I wanted or needed from my reader, but I knew I didn’t want every customer walking by to overhear what I considered, and still do, a sacred conversation.
I told her a little bit about what was going on with me, and she started to pull the cards. And she kept pulling… and pulling…. and pulling. She must have pulled over thirty cards from her deck. I say this not because I question or despise the way another reader works with her cards. (I also want to make it clear that many, if not most readers do not read this way. They are inviting, informative, and value the shared energetic experience.) I did not feel like this reader valued my presence. I say this because the majority of the reading was spent shuffling and looking and shuffling and looking. I could not tell you a single card that was pulled because she didn’t talk very much. The last five minutes of a fifteen-minute reading was spent with her asking a few more questions, and then giving some small suggestions, and that was it.
Those fifteen minutes cost me $20.00, and although I recognize that is not the most expensive reading ever, it was still a lot for me at that time financially. I left feeling overwhelmed, annoyed, and more confused than before. I would have preferred it if she had pulled one card for me and had deeply gone into the meaning of that card, and how it could relate to me and my situation. As a reader, I don’t not believe more is more when it comes to number of cards. As a client, I know it’s not. A couple of years later, when I started developing my website, writing spreads, and determining my prices, I knew that I didn’t want to make anyone as my blessed client feel like they had been overcharged and under-served.
But, I wrestled with the way to price my services and my spreads. What was fair to the clients, but still honored and valued the heart and soul I put into my work? I finally decided that I wanted to charge based on cards that I pulled. This means that my one-card readings (still thorough and written with love) are not charged the same way that my five-card reading does. Here are some of the main reasons I decided to charge this way (I feel the need to preface here that this is what works for me and the way I operate as a tarot reader. I am not saying that others who price or charge differently than me are doing it wrong. Different strokes for different folks):
1.) I don’t like being rushed for / by time and numbers: By removing the constraint of time, I personally feel more free to spend as much time as needed going into the messages that I download from each card. By removing the layer of time from my readings, I feel less confined by time.
2.) Discussing the cards from intuition: I could take one hour to discuss one card if my intuition keeps downloading meaningful content. I could take less time with more cards. With no time limit, I feel able to discuss each download clearly and without rush.
3.) Gives you financial options: Because my spreads are based upon the amount of cards I pull, I have many different spread options available on my website. You can choose the spread that works for you and for your budget. As mentioned, I have been in the place where $20.00 was my grocery limit for the week. I believe tarot is medicine, but I also believe it shouldn’t put you in the red. No matter the spread you choose, you will get my soulful intention to provide the best tarot reading I can.
4.) Telecommute makes time commitment harder: Because I do readings exclusively out of my home right now, time commitment to readings is not so black and white. Often, during a reading I pull the cards, write down initial notes by hand, and then take some time (outside, in meditation, or by journaling) to really let my intuition start downloading. It doesn’t always get channeled so immediately. So, I don’t have to start a timer or take note when I started or stopped. This again makes me feel less pressured by time, and more able to just read the cards and write.
5.) Quality over quantity: More cards does not mean a better reading. More time does not mean a better reading. Say it with me: more does not mean better. As I said in my story above, I would have preferred a $20.00 with only one or two cards, as opposed to a reading that had half the deck, and little to no detailed insight from particular cards. One card can really anchor you into clarification, or speak to your needed questions. Throwing down card after card after card may not always provide the most insight.
Hopefully, this provides some clarity to the way my pricing is set on my website. If you have any questions, or if you have a certain price point but don’t see a spread that fully covers your needs, no worries, shoot me an email at email@example.com and we can get a spread that fits your price point and your needs. Thanks for reading. Much love to you!
The second karmic law is the Law of Creation. This law
states that life does not merely happen by chance or coincidence. Life is
formed in the forges of ourselves; we are the creators. This means that as
creators for our own lives, it is imperative that we hold to our truth, and
honor that which makes each of us who we are. If you hide your truth or refuse
to be an active participant in the daily makings of your own life, it can be of
no surprise then, when your life does not hold the glittering riches of what
One of the things that is important to be an active creator of your life, is to be present and aware of what is around you. Why? Because what is around you can be a direct message about your internal self. If your external world, and the way it moves and flows daily is peaceful (for the most part), inclusive (of yourself and others), creative (sacred expression), your internal self probably feels secure and sound. If your external world moves and flows daily from a place of fear, anger, or isolation, your internal world probably feels like a struggle or energy drain.
The Law of Creation, with each person as the creator, means that if your world and external self are not in alignment with your higher potential, your internal self is most likely out of alignment with your truth. When or if this happens, look to what is within you that needs to be present and seen. Look to what your truth is, and that which you seek. If you look for answers and solutions outside yourself, your internal self is constantly left to adapt to themes, ideas, and situations that are not in alignment with your core.
I think this sentiment applies nicely to the 5 of Pentacles, the tarot card of the month. This image shows a girl standing outside of a cathedral, and she is clearly destitute at the moment. Her wrap is in rags, her skin is exposed, and the night is bleak and snowy. With her is a snake, wrapped around her closely. Together they attempt to move and protect themselves from the elements. What she does not realize is that right next to her, shining through the cathedral window, is a stained-glass portrait of a snake wrapped around a tree of five pentacles.
If she would just turn and look at the light shining
and the portrait on the stained-glass window, she would realize that she is
where she needs to be to heal and be whole again. She would realize she is
welcome beyond the doors of her current situation. Only she can make the choice
to look and see that world is giving her an opportunity to regroup and grow
through her personal truth. She is being given an opportunity by the universe
to seek that which is seeking her, and to be part of the oneness of life.
The Law of Creation, since it applies to each person,
means that you connecting to your life, forged from your own daily creation,
means that when you meet another person, animal, or personified spirit, you are
connecting to the oneness of the universe. Your life creation is a creation of
energy. This energy is elevated through choice to be part of the wholesome
universe as one energetic force.
There are certain things that are obvious outliers for
the Law of Creation (in my humble opinion). Freak accidents happen. Bad things
happen to good people. Life is often a painful experience. What is not an
outlier that you, and each person, create your life through your choices,
actions, relationships, intentions, spirit, and so much more. When looking to
use the Law of Creation to connect more deeply to the oneness of yourself and beyond,
look to the current energy within and around you. Ask yourself if you are happy.
Ask yourself if you are okay. Ask the universe to help reveal the opportunity
you need to grow, and then look up and choose…….
We all know about the understood universal energy of Karma, even making memes and jokes that Karma is a bigger bitch than any of us ever could be (and there may be some actual truth to that statement). I have been thinking a lot about karma ever since the beginning of August. The Phoenix reversed is sending a message that it is time to really look at the karmic cycles we moving through, and the ones we are stagnant in. August is presenting an opportunity for each of us to really look at what in our actions, choices, or surroundings is holding us back from ascending on our hierarchical ladder of self.
There are 12 Karmic Laws, and I want to devote a blog post to each of them. There is to much to say about each law for one post. So, we will start with the first law: The Great Law, also known as the Law of Cause and Effect. This is perhaps the most well-known law. This law basically means what is says. The energy you put out into the universe (including sub and unconscious energy) comes back to you.
Because of cause and effect, because the energy includes sub and unconscious energy, this law is often defined and perceived as a message of: if you are positive, positivity comes back you. If you are negative, negativity comes back to you. I respectfully disagree with this statement. Yes, there is something to be said about constantly looking at the world through a dark lens. There is something to be said about those people who constantly choose to exist in the darkness, and never wish to be honest about themselves so they can move into the light. We all know someone like this, and they are perpetuating a karmic cycle because they keep choosing a dark path, and then complain there is no light.
Where I take issue with this blanket statement of positive versus negative is 3-fold
1.) The Universe does not work or flow in only black or white: The Universe, the collective unconscious, Goddess and Gods do not exist in a state of either good or bad. There are layers of perception, action, emotion, and process. Sometimes the hardest things to do are scary to us. Sometimes the worst things for us, about us, are easy. Cause and Consequence is not a simple singularity that keeps a tally of every positive or negative aspect of ourselves. Cause and effect is more based in patterns, and a willingness to try and be courageous for change.
2.) It is impossible to be positive all the time: There is no way that we can have only good days, hold only good vibes. Why? Because that is not normal. If you can have a good day and have only good vibes during tragedy, that is not living and feeling into the dynamics of expression and emotion. Loss, death, heartbreak, rejection, insults, grief and more are going to bring out negativity, and that’s okay. It means you are human. The patterns come in how you handle it, and how you choose to let it define you.
3.) I believe it comes down to where this energy resides on your inner spectrum: Simply put, the life experience is going to move us on the spectrum with each day. It is going to move us further towards love, or further towards fear. I believe this is where the karmic cycle takes root. You can have a negative emotion, but still come from a place of love. You can keep perpetuating a smile to avoid having to deal with deep fear or sadness. In the end, I believe karma comes down to where the life experience consistently moves you on the spectrum.