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The Herbcrafter’s Tarot deck review

The Major Arcana

I received the Herbcrafter’s Tarot as a birthday present last year, and I am so glad that this deck has come into my possession. I love this deck, and will take the rest of this blog post to break down all the key details about this deck. If you would like to purchase this deck or learn more about it after this blog post, you can click this link, which will take you straight to the Herbcrafter’s Tarot website (this is not an affiliate or promotional code or link). The deck was written by Latisha Guthrie, an herb / kitchen witch, teacher, and homesteader. The artwork is by Joanna Powel Colbert. She has created the Gaian Tarot, the Pentimento Tarot, and also teaches workshops and retreats related to the craft, the Goddess, and more.

What is immediately clear about this deck is that is created with a true knowledge and love of herb-crafting. You do not need a previous knowledge of herbs in order to use this deck. You will need to be invested in learning about the herbs. Each card in this deck relates to a specific herb (the one exception being the World card, which I will get into here in just a bit), so if you aren’t invested in learning about, or using herbs, this probably isn’t the deck for you.

The Herbcrafter’s Tarot is so beautifully made. The cards measure 5″ x 3″ which makes them a decent size. The paper has a nice glossy sheen which makes them easy to shuffle. The illustration for the back of the card has a very different feel than the front of the card. To be honest, I am not in love with the illustration for the back of the card. It feels disconnected from the gorgeous artwork of the cards themselves. The artwork is reversible if your cardback to match your reversal preference. I don’t mind if the image is non-reversible because I still don’t know the particular card chosen until I turn it over, but there many who want card-front and card-back to match.

If you choose to keep the deck in its box, the material has some heft, and will keep your decks well-protected. The green string allows for easy access of the cards, and the guidebook fits snug at the top, making a substantial tarot set. If you choose to put your cards in some other container or bag, I would recommend keeping the guidebook. Normally, I tend to forget the guidebook for my tarot decks, but this deck brings in so much more information, that I find it worthwhile to keep the guidebook on hand.

The guidebook is packed full of information that speaks to the formation of this deck, the intention of the herbs used for each card, and how those herbs are handled or grown in nature. These intentionally chosen herbs also relate heavily to a more numerology-based system of reading. As you can see in the picture below, the herbs chosen do not merely reflect the identity of their corresponding tarot card. They correspond to the numerology and to the herb in nature, and how it is used. Working with this deck and this guidebook will give you a good understanding of herbology, numerology, and tarot, all within one tarot deck!

The perimeters for the tarot, herb, and numerical correspondence in nature.

One of the other main differences is the titles for the Minor Arcana. Instead of staying with the elemental object (swords, pentacles, etc.) for each suit, the Minor Arcana are named in relation to the elements themselves: earth, fire, water, and air. The elemental token that is featured in the minors are:

Air/ bolines

Fire / mortars and pestles

Water / kettles

Earth / baskets.

Three of Earth / Raspberry, Eight of Fire / Ginger, Four of Air / Lavender, Two of Water / Mallow

Each of these tools are needed to participate fully in herb-crafting. The elements also take on an additional layer of understanding to help with learning and skill acquisition.

Air = learning, fire = creating, water = nourishing, and earth = giving.

This is somewhat similar to a more traditional understanding of the tarot and the elements.

Air / Swords = the mind: thoughts, brainstorming, ideas, and communication.

Fire / Wands= the spirit: creativity, ingenuity, perseverance, and ambition.

Water / Cups= the heart: connection, understanding, compassion, emotions.

Earth / Pentacles= the body: production, tangible, sensory, and environmental.

One of the final differences is the court card titles have also changed. Instead of Page, Knight, Queen, King, the court cards are now named Hija (daughter), Adelita (Warrior), Madre (mother), and Curandera (healer). Each of these titles bring similar energy to the more traditional court cards, but also represent the transformation of energy that comes from the different thresholds of the herb path. Each court card shows an image with outstretched hands, and shows how the herbs are handled differently as you progress through the court rankings.

Hija of Fire / California Poppy, Adelita of Fire / Cayenne, Madre of Fire / Thyme, Curandera of Fire / Damiana

The picture above has the four court ranks for the element of Fire. The Hija of Fire may be my personal favorite card of the deck. The Hija sits on her blanket, adorned with incense, costume jewelry, California Poppies, and she is both witnessed and protected by her stuffed tiger. She is undertaking the path in a way that is both playful and imaginative. The Adelita of Fire carries the tradition of her people’s medicine by crushing cayenne to make fire cider. The Madre of Fire keeps a whole-hearted and fierce spirit to create and use ingredients that fill her hearth and home. Finally, the Curandera of Fire teaches the power of love and intimacy, healers in their own way.

Speaking of the imagery, Joanna Powell Colbert’s artistic rendering of each card is simply stunning. Her images are so detailed and intimate, that it really feels like a part of time was captured, not just the herb. Each image feels so heavenly, that you can almost smell what’s on the stove, feel the sunshine, or test the nearby water. The artwork is so beautiful and important, but one of the other reasons I really recommend keeping the guidebook is because Latisha Guthrie’s description for each card is informative and easy to understand. Her writings detail how you can either begin or reinforce your herbal path with each herb, and benefit from each card you turn over. It is not a mere guidebook; it is an informative text for the herbal path.

If you have a decent understanding of herbs or numerology, this may be a decent deck to learn the tarot on. If new to all practices, I personally would not recommend learning on this deck, only because there is so much information that comes with this deck. By fully learning tarot through a more standard or straightforward deck, there isn’t a need to learn both herbs and tarot at the same time. However, that is merely my personal opinion, and I am sure that for many people, this deck would create full expansion in their beginning practice.

This deck has been a recent go-to for bringing in an understanding of garden magic and kitchen medicine. I would give this deck a 5/5, it is simply that beautiful, and that useful. I am getting loads of ideas for teas and tincture I want to create. I am gaining a deeper respect for the earth under my feet, and all that comes forth from its foundation. If you want to learn more about herbs, numerology, or gain more knowledge from the expertise of two powerful women who have walked this path for decades, this is a great deck to invest in.

The World begins a new chapter: awakened, alive, vibrant and gazing forward. There is a palpable readiness.
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My Spread Pricing and Why I Don’t Charge Per Hour

I wanted to do and write something a little bit differently today. More specifically, my intention is to show a little bit of my process behind certain aspects of my business. Many, if not most, tarot readers charge based on time spent for the reading. There is nothing wrong with this, but I personally have never liked to charge that way. A big reason why is because of my first reading as the client, not the reader.

I like to charge based on number of cards pulled as opposed to a set price per hour. Time can be a good factor to set the value, but I don’t personally like to be controlled by a timely starting and stopping point.

I went to see a tarot reader long before I knew how to read tarot. To be fair, I had not done my research into the type or reading, or reader, I wanted. I simply had some cash and showed up at a store in Denver. I also had not taken the time to consider what I wanted, and more importantly needed, from my reading. What was the underlying purpose? What would I do with the information given to me? How could I be vulnerable and hear both the good and bad the cards may bring forth? I asked myself none of these question. (I would like to spend a whole post on the etiquette between reader and client, but I digress….)

So I show up at a store, cash in hand, ready for my reading. I asked if anyone was available to read for me. A woman was, and although I do not expect or want an overly fluffy or lovey-dovey reader (that is not my style), this woman was cold and not very friendly. We went to a section of the store, that was separated by nothing more than a divider. This made my walls go up. I didn’t know exactly what I wanted or needed from my reader, but I knew I didn’t want every customer walking by to overhear what I considered, and still do, a sacred conversation.

I told her a little bit about what was going on with me, and she started to pull the cards. And she kept pulling… and pulling…. and pulling. She must have pulled over thirty cards from her deck. I say this not because I question or despise the way another reader works with her cards. (I also want to make it clear that many, if not most readers do not read this way. They are inviting, informative, and value the shared energetic experience.) I did not feel like this reader valued my presence. I say this because the majority of the reading was spent shuffling and looking and shuffling and looking. I could not tell you a single card that was pulled because she didn’t talk very much. The last five minutes of a fifteen-minute reading was spent with her asking a few more questions, and then giving some small suggestions, and that was it.

Those fifteen minutes cost me $20.00, and although I recognize that is not the most expensive reading ever, it was still a lot for me at that time financially. I left feeling overwhelmed, annoyed, and more confused than before. I would have preferred it if she had pulled one card for me and had deeply gone into the meaning of that card, and how it could relate to me and my situation. As a reader, I don’t not believe more is more when it comes to number of cards. As a client, I know it’s not. A couple of years later, when I started developing my website, writing spreads, and determining my prices, I knew that I didn’t want to make anyone as my blessed client feel like they had been overcharged and under-served.

My pricing starts at $10.00 for one card, and goes up in $5.00 increments for each additional card.

But, I wrestled with the way to price my services and my spreads. What was fair to the clients, but still honored and valued the heart and soul I put into my work? I finally decided that I wanted to charge based on cards that I pulled. This means that my one-card readings (still thorough and written with love) are not charged the same way that my five-card reading does. Here are some of the main reasons I decided to charge this way (I feel the need to preface here that this is what works for me and the way I operate as a tarot reader. I am not saying that others who price or charge differently than me are doing it wrong. Different strokes for different folks):

1.) I don’t like being rushed for / by time and numbers: By removing the constraint of time, I personally feel more free to spend as much time as needed going into the messages that I download from each card. By removing the layer of time from my readings, I feel less confined by time.

2.) Discussing the cards from intuition: I could take one hour to discuss one card if my intuition keeps downloading meaningful content. I could take less time with more cards. With no time limit, I feel able to discuss each download clearly and without rush.

3.) Gives you financial options: Because my spreads are based upon the amount of cards I pull, I have many different spread options available on my website. You can choose the spread that works for you and for your budget. As mentioned, I have been in the place where $20.00 was my grocery limit for the week. I believe tarot is medicine, but I also believe it shouldn’t put you in the red. No matter the spread you choose, you will get my soulful intention to provide the best tarot reading I can.

4.) Telecommute makes time commitment harder: Because I do readings exclusively out of my home right now, time commitment to readings is not so black and white. Often, during a reading I pull the cards, write down initial notes by hand, and then take some time (outside, in meditation, or by journaling) to really let my intuition start downloading. It doesn’t always get channeled so immediately. So, I don’t have to start a timer or take note when I started or stopped. This again makes me feel less pressured by time, and more able to just read the cards and write.

5.) Quality over quantity: More cards does not mean a better reading. More time does not mean a better reading. Say it with me: more does not mean better. As I said in my story above, I would have preferred a $20.00 with only one or two cards, as opposed to a reading that had half the deck, and little to no detailed insight from particular cards. One card can really anchor you into clarification, or speak to your needed questions. Throwing down card after card after card may not always provide the most insight.

No matter as a reader, or a client, the main focus is in the value of each energetic experience. If you do not see what you want or need on my website, reach out to me. My prices are set by the cards I pull, but we can collaborate to create something of utility that honors both energy and budgets.
Photo by Ikhsan Sugiarto from Pexels

Hopefully, this provides some clarity to the way my pricing is set on my website. If you have any questions, or if you have a certain price point but don’t see a spread that fully covers your needs, no worries, shoot me an email at teaandtombstones@gmail.com and we can get a spread that fits your price point and your needs. Thanks for reading. Much love to you!