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The Herbcrafter’s Tarot deck review

The Major Arcana

I received the Herbcrafter’s Tarot as a birthday present last year, and I am so glad that this deck has come into my possession. I love this deck, and will take the rest of this blog post to break down all the key details about this deck. If you would like to purchase this deck or learn more about it after this blog post, you can click this link, which will take you straight to the Herbcrafter’s Tarot website (this is not an affiliate or promotional code or link). The deck was written by Latisha Guthrie, an herb / kitchen witch, teacher, and homesteader. The artwork is by Joanna Powel Colbert. She has created the Gaian Tarot, the Pentimento Tarot, and also teaches workshops and retreats related to the craft, the Goddess, and more.

What is immediately clear about this deck is that is created with a true knowledge and love of herb-crafting. You do not need a previous knowledge of herbs in order to use this deck. You will need to be invested in learning about the herbs. Each card in this deck relates to a specific herb (the one exception being the World card, which I will get into here in just a bit), so if you aren’t invested in learning about, or using herbs, this probably isn’t the deck for you.

The Herbcrafter’s Tarot is so beautifully made. The cards measure 5″ x 3″ which makes them a decent size. The paper has a nice glossy sheen which makes them easy to shuffle. The illustration for the back of the card has a very different feel than the front of the card. To be honest, I am not in love with the illustration for the back of the card. It feels disconnected from the gorgeous artwork of the cards themselves. The artwork is reversible if your cardback to match your reversal preference. I don’t mind if the image is non-reversible because I still don’t know the particular card chosen until I turn it over, but there many who want card-front and card-back to match.

If you choose to keep the deck in its box, the material has some heft, and will keep your decks well-protected. The green string allows for easy access of the cards, and the guidebook fits snug at the top, making a substantial tarot set. If you choose to put your cards in some other container or bag, I would recommend keeping the guidebook. Normally, I tend to forget the guidebook for my tarot decks, but this deck brings in so much more information, that I find it worthwhile to keep the guidebook on hand.

The guidebook is packed full of information that speaks to the formation of this deck, the intention of the herbs used for each card, and how those herbs are handled or grown in nature. These intentionally chosen herbs also relate heavily to a more numerology-based system of reading. As you can see in the picture below, the herbs chosen do not merely reflect the identity of their corresponding tarot card. They correspond to the numerology and to the herb in nature, and how it is used. Working with this deck and this guidebook will give you a good understanding of herbology, numerology, and tarot, all within one tarot deck!

The perimeters for the tarot, herb, and numerical correspondence in nature.

One of the other main differences is the titles for the Minor Arcana. Instead of staying with the elemental object (swords, pentacles, etc.) for each suit, the Minor Arcana are named in relation to the elements themselves: earth, fire, water, and air. The elemental token that is featured in the minors are:

Air/ bolines

Fire / mortars and pestles

Water / kettles

Earth / baskets.

Three of Earth / Raspberry, Eight of Fire / Ginger, Four of Air / Lavender, Two of Water / Mallow

Each of these tools are needed to participate fully in herb-crafting. The elements also take on an additional layer of understanding to help with learning and skill acquisition.

Air = learning, fire = creating, water = nourishing, and earth = giving.

This is somewhat similar to a more traditional understanding of the tarot and the elements.

Air / Swords = the mind: thoughts, brainstorming, ideas, and communication.

Fire / Wands= the spirit: creativity, ingenuity, perseverance, and ambition.

Water / Cups= the heart: connection, understanding, compassion, emotions.

Earth / Pentacles= the body: production, tangible, sensory, and environmental.

One of the final differences is the court card titles have also changed. Instead of Page, Knight, Queen, King, the court cards are now named Hija (daughter), Adelita (Warrior), Madre (mother), and Curandera (healer). Each of these titles bring similar energy to the more traditional court cards, but also represent the transformation of energy that comes from the different thresholds of the herb path. Each court card shows an image with outstretched hands, and shows how the herbs are handled differently as you progress through the court rankings.

Hija of Fire / California Poppy, Adelita of Fire / Cayenne, Madre of Fire / Thyme, Curandera of Fire / Damiana

The picture above has the four court ranks for the element of Fire. The Hija of Fire may be my personal favorite card of the deck. The Hija sits on her blanket, adorned with incense, costume jewelry, California Poppies, and she is both witnessed and protected by her stuffed tiger. She is undertaking the path in a way that is both playful and imaginative. The Adelita of Fire carries the tradition of her people’s medicine by crushing cayenne to make fire cider. The Madre of Fire keeps a whole-hearted and fierce spirit to create and use ingredients that fill her hearth and home. Finally, the Curandera of Fire teaches the power of love and intimacy, healers in their own way.

Speaking of the imagery, Joanna Powell Colbert’s artistic rendering of each card is simply stunning. Her images are so detailed and intimate, that it really feels like a part of time was captured, not just the herb. Each image feels so heavenly, that you can almost smell what’s on the stove, feel the sunshine, or test the nearby water. The artwork is so beautiful and important, but one of the other reasons I really recommend keeping the guidebook is because Latisha Guthrie’s description for each card is informative and easy to understand. Her writings detail how you can either begin or reinforce your herbal path with each herb, and benefit from each card you turn over. It is not a mere guidebook; it is an informative text for the herbal path.

If you have a decent understanding of herbs or numerology, this may be a decent deck to learn the tarot on. If new to all practices, I personally would not recommend learning on this deck, only because there is so much information that comes with this deck. By fully learning tarot through a more standard or straightforward deck, there isn’t a need to learn both herbs and tarot at the same time. However, that is merely my personal opinion, and I am sure that for many people, this deck would create full expansion in their beginning practice.

This deck has been a recent go-to for bringing in an understanding of garden magic and kitchen medicine. I would give this deck a 5/5, it is simply that beautiful, and that useful. I am getting loads of ideas for teas and tincture I want to create. I am gaining a deeper respect for the earth under my feet, and all that comes forth from its foundation. If you want to learn more about herbs, numerology, or gain more knowledge from the expertise of two powerful women who have walked this path for decades, this is a great deck to invest in.

The World begins a new chapter: awakened, alive, vibrant and gazing forward. There is a palpable readiness.
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Book review: The Heart of Wicca by Ellen Cannon Reed

I intend to start posting more reviews on my platform: reviews of books, decks (a rare post as I am not a deck collector, but I do still buy the decks that really speak to me), podcasts, music, and more. If you have anything that you would like for me to review, comment below! My first review is going to be on a book that I just finished, The Heart of Wicca: Wise Words from a Crone on the Path by Ellen Cannon Reed.

I would first like to start by saying that I am not a Wiccan, and there may be themes or topics in this book that are over my head or beyond my comprehension because I do not subscribe to the path. I would also like to state that if I write something about this book, or about Wicca in general that is negative or a critique, I am not saying that you are wrong if you are Wiccan, love this book, or anything like that. This is simply a post coming from my personal insight and honesty as a new reader to this book, and these topics.

I picked this book up at a local store some time ago. As much as I know that I will ever become a Wiccan, I do want to learn and understand more about different religions and methodologies, Wicca included. That being said, I did not like this book. I found the tone to be off-putting, condescending, and elitist. The following paragraphs describe specifically what I did and did not like about this book, and why I only gave it a 1 out 5 stars on Goodreads.

First, the book is only 127 pages, which alone is not a problem. What irked me was those 127 pages read like a big condescending rant. The book is title The Heart of Wicca: Wise Words from a Crone on the Path, so I thought that this book was going to discuss some things that are paramount to the Wicca pantheon. Some of this was discussed, but not in any satisfying depth, which is not only disappointing, it is contradictory to the first paragraph. Reed states that other books often only skim the surface of Wicca, which is exactly what I thought of this book. (Reed 1)

One of the first things about this book that put me off was the constant contradiction. Reed would constantly state how other covens, or “new” Wiccans are doing things that irritate her, and then give one small sentence how her covens are not the only ones who do things right. I get the book is from her perspective and will obviously include her opinion, but it got a little tiring to read. From what I could find about the author, she walked this path for a long time before her passing, undoubtedly had a lot of wisdom about the path, and had seen how the path has morphed over time. From what I have heard from others who practice Wicca (how in depth, I do not know), the path is much more formulaic than others it seems. There are certain ways to do things, and ways to not do things. I do not have a problem with traditions, or Wiccans who use tradition in their magick or rituals. It simply read to me that those who don’t hold as much to tradition are doing it wrong, which I disagree with completely.

I was also not aware of how cutthroat the initiation process can be to get into a coven. Reed heavily emphasized that students who wished to be initiated into one of her two covens had to participate for a full year in rituals and traditions, and even then their initiation was not guaranteed. The coven goes off of gut feeling if a person will become an initiate into their coven. I am not saying this is right or wrong. I am simply saying that I did not realize that some covens were so selective. I can see the purpose, but all that did was emphasize why I have never been inclined to join a coven. I am a solitary witch anyway, but I feel like showing up should be organic and honest, a true statement of when and where they can be of service (which no human can always be of service 100% of the time). It should not be for mere attendance.

Again, I see the purpose of wanting a coven to be at its strongest. I can see why coven needs to be more than a social gathering. I can see why covens need to have a certain vulnerability to work through difficulties. Group magick won’t be as effective if some members are holding onto to old gripes, either petty or truly valid. However, I simply could not fathom being accepted or rejected from something I had invested my heart and time into based upon someone’s feeling about me. I also feel that accepting or rejecting someone based on gut feelings leaves room for human error and bias. I find it ironic that during much of the text, Reed makes it clearly known that both students and teachers will at times falter or stumble, as they are human. But, when it comes to the intimate process of bringing in a new and willing participant into the coven, that is left solely to gut feelings and bias.

Maybe that is just me…….

I also feel that people who say a coven always and immediately has stronger magic than a solitary practitioner are honestly just trying to recruit. As a solitary witch, I feel I enter a deeply intimate and magickal experience when I stand in my circle, my guides and the universe the only ones to witness me. I feel free and capable and empowered and deeply loved. No coven, no matter how established, can take that away from me. Reed did say that with the rise in popularity, there is no way that every single Wiccan could join a coven because there are not enough teachers to fulfill the needs of each new practitioner. With how cutthroat the initiation process is, I can see why……

The final point I want to make about snobbish and elitist mentalities come in the chapter about initiation, a chapter I find ripe with contradiction and looking down the proverbial nose on those who don’t follow the same path. Reed states there are two types of initiations: the one that comes from the coven, and the one that comes from spirit. The one that comes from spirit cannot come from a human, or from the self. It can only come from the Gods and Goddesses unveiling the mysteries to you in a process. Putting aside the fact that I disagree with that, I want to focus more on what Reed states about coven initiations. She makes the point that college degrees have fallen in strength, no longer holding the same weight as before, and that she does not want that to happen to her initiates. While I understand her wish for nothing but the best from her initiates, what I took from that is her saying that her coven members are more deserving of the magickal path, and stronger in their magickal creeds. This is simply not true. Credentials are great, but they don’t mean that someone is stronger, more pure of heart, or more deserving of the magickal path than a solitary witch, non-Wiccan witch, or anyone who isn’t in her coven. (Reed 58)

Okay, now on to some things that I agreed with Reed on: working with deities, and certain aspects of training and studying. In working with deities, I agree with her that it is important to treat it like any other relationship. It is not polite to call in a deity simply because you heard a friend or colleague say they did it. It isn’t polite to call them in to fulfill a need without doing some basic research or creating some respectful energy. Some deities will be lifelong influences. Other may be some that you work with on specific occasions. I don’t see a problem with any of that, as long as you approach the relationship with respect, and a willingness to engage in the process with this deity. Take time to read about them, visualize them, give an offering to them, or connect with them before simply asking for things.

I also agree that spiritual work does not, and should not, equal easy. Spiritual bypassing and a refusal to confront the shadow self in the end does more damage, and weakens the spiritual path. There is no race towards the other side of the darkness. There is no hierarchy for who has gone farther, confronted more, or overcome more. Please don’t feel like you taking the time you need to confront the difficult means your spiritual is lesser. In fact, you are doing what others refuse to do. I personally feel that we see this way to much with positivity culture. We need to be willing to share our hurt and pain and fear and dread. Those are just as valuable of spiritual teachers as any mentor or positive moment. I also agree with her that spells are a small section of a big umbrella called magick. I also agree that spell casting should be done wisely, and without vengeance in the heart.

Overall, this book did not pass the mustard for me, which I think I have made clear. Even Reed herself acknowledges on page 127 that the views of her and like-minded individuals may be seen as snobbish, old-fashioned, and elitist. Snobbish and elitist, yes. Old-fashioned, no. I actually wished that her book contained more of her “old-fashioned” views and tenets. I wish that she went more into specifics, and spent less time putting down anyone new to the path, or anyone who may stray from her opinion of how things should be done.

Reed, Ellen Cannon. Heart of Wicca: Wise Words from a Crone on the Path. Red Wheel/Weiser, LLC, 2000.

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Deck Forecast – 2020 (Wild Unknown Archetypes and Tarot)

The deck forecast begins at the very top of the table, with the Desert and the Hanged Man

For 2020, I am going to switch up the decks that I use. The Wild Unknown Archetypes decks is STUNNING. I cannot get over these cards. Plus, archetypes are meant to explored, discovered, understood, and utilized. This makes them the perfect deck for doing a monthly deep dive. The

Wild Unknown Tarot is the companion card, creating a layered message of what archetypal energy is present, and how to invite this potent energy into your life. Patrons will still receive a third card in their monthly card forecast. If you would like to become a patron, click the badge on the right hand side and join the dwelling!

For reference on how to tell upright vs. inverted, I pull every card with my right hand, and then turn each card over pulling from the left side. If I were to take these cards out of the circle, and place them in a straight line, I would then grab from the right side and move left if it’s on its side (horizontal). I hope that makes sense! It can be hard to tell when it is this kind of formation.

I tried to get a picture that did justice to the imags, while keeping the names visible. For clarity, here is the monthly forecast:

January: The Desert and The Hanged Man

February: The Shadow and the 8 of Swords inverted

March: The Eternal Child and the Tower inverted

April: The Poet and the Devil

May: The Castle and the 9 of Wands

June: Eros and the World

July: The Crone and the Mother (Queen) of Swords inverted

August: The Creator and the Ace of Cups

September: The Queen and Temperance inverted

October: Thanatos and Judgement

November: Aletheia and the 10 of Cups inverted

December: The Mirror and the Son (Knight) of Wands

So, that is the forecast for 2020. I am not going to lie, when I say the card pairings for January through April, I said to myself, “Here, we go….” That is not to say that the cards are bad or that I don’t like them. Cards like the Tower and the Devil have some of the most profound blessings, but they are not easy cards to grasp and hold. Those cards, and many others, can be incredibly daunting, and speak to growth in ways that are often uncomfortable or hard to bear at times.

Some things to note about the complete forecast: the year is divided into 6 major arcana cards, 4 pip cards, and 2 court cards. Major Arcana cards speak to great forces, forceful momentum, and encompassing shifts. When a spread, or here a forecast, is dominated by Major Arcana cards, that means that the year forecast is going to see a lot of transformation that is effective more on a grand scale of life, rather than dealing with the more minute details of the day to day. The Majors are archetypes unto themselves. They represent the macrocosm. Their energies are so large that, at times, it can be harder to feel their presence.

We have the 8 of Swords inverted, 9 of Wands, Ace of Cups, and the 10 of Pentacles inverted. With the majority of the pips and court cards falling to the Swords, we can safely say that the majority of the microcosm will be focused on the threshold of thoughts, communication, brainstorming, ideas, and narration. We will be looking into the mental faculties that gauge the energies, and how that logical clarifying accompanies the larger forces at play. The Court cards are the cards that speak to us between the microcosm and the macrocosm. Side note: I do not read Court cards as other people. I read them as the threshold between the majors and the minors. That means that July and December present invitations for a more intimate conversation about how to bridge yourself between the energetic forces and shifts available, and how to make energies available.

What are your thoughts on these card pairings? If you would like to download my free monthly ezines from 2019, do so by the end of the year. After that they will be getting deleted to make room for 2020 ezines. Much love to you!

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My Spread Pricing and Why I Don’t Charge Per Hour

I wanted to do and write something a little bit differently today. More specifically, my intention is to show a little bit of my process behind certain aspects of my business. Many, if not most, tarot readers charge based on time spent for the reading. There is nothing wrong with this, but I personally have never liked to charge that way. A big reason why is because of my first reading as the client, not the reader.

I like to charge based on number of cards pulled as opposed to a set price per hour. Time can be a good factor to set the value, but I don’t personally like to be controlled by a timely starting and stopping point.

I went to see a tarot reader long before I knew how to read tarot. To be fair, I had not done my research into the type or reading, or reader, I wanted. I simply had some cash and showed up at a store in Denver. I also had not taken the time to consider what I wanted, and more importantly needed, from my reading. What was the underlying purpose? What would I do with the information given to me? How could I be vulnerable and hear both the good and bad the cards may bring forth? I asked myself none of these question. (I would like to spend a whole post on the etiquette between reader and client, but I digress….)

So I show up at a store, cash in hand, ready for my reading. I asked if anyone was available to read for me. A woman was, and although I do not expect or want an overly fluffy or lovey-dovey reader (that is not my style), this woman was cold and not very friendly. We went to a section of the store, that was separated by nothing more than a divider. This made my walls go up. I didn’t know exactly what I wanted or needed from my reader, but I knew I didn’t want every customer walking by to overhear what I considered, and still do, a sacred conversation.

I told her a little bit about what was going on with me, and she started to pull the cards. And she kept pulling… and pulling…. and pulling. She must have pulled over thirty cards from her deck. I say this not because I question or despise the way another reader works with her cards. (I also want to make it clear that many, if not most readers do not read this way. They are inviting, informative, and value the shared energetic experience.) I did not feel like this reader valued my presence. I say this because the majority of the reading was spent shuffling and looking and shuffling and looking. I could not tell you a single card that was pulled because she didn’t talk very much. The last five minutes of a fifteen-minute reading was spent with her asking a few more questions, and then giving some small suggestions, and that was it.

Those fifteen minutes cost me $20.00, and although I recognize that is not the most expensive reading ever, it was still a lot for me at that time financially. I left feeling overwhelmed, annoyed, and more confused than before. I would have preferred it if she had pulled one card for me and had deeply gone into the meaning of that card, and how it could relate to me and my situation. As a reader, I don’t not believe more is more when it comes to number of cards. As a client, I know it’s not. A couple of years later, when I started developing my website, writing spreads, and determining my prices, I knew that I didn’t want to make anyone as my blessed client feel like they had been overcharged and under-served.

My pricing starts at $10.00 for one card, and goes up in $5.00 increments for each additional card.

But, I wrestled with the way to price my services and my spreads. What was fair to the clients, but still honored and valued the heart and soul I put into my work? I finally decided that I wanted to charge based on cards that I pulled. This means that my one-card readings (still thorough and written with love) are not charged the same way that my five-card reading does. Here are some of the main reasons I decided to charge this way (I feel the need to preface here that this is what works for me and the way I operate as a tarot reader. I am not saying that others who price or charge differently than me are doing it wrong. Different strokes for different folks):

1.) I don’t like being rushed for / by time and numbers: By removing the constraint of time, I personally feel more free to spend as much time as needed going into the messages that I download from each card. By removing the layer of time from my readings, I feel less confined by time.

2.) Discussing the cards from intuition: I could take one hour to discuss one card if my intuition keeps downloading meaningful content. I could take less time with more cards. With no time limit, I feel able to discuss each download clearly and without rush.

3.) Gives you financial options: Because my spreads are based upon the amount of cards I pull, I have many different spread options available on my website. You can choose the spread that works for you and for your budget. As mentioned, I have been in the place where $20.00 was my grocery limit for the week. I believe tarot is medicine, but I also believe it shouldn’t put you in the red. No matter the spread you choose, you will get my soulful intention to provide the best tarot reading I can.

4.) Telecommute makes time commitment harder: Because I do readings exclusively out of my home right now, time commitment to readings is not so black and white. Often, during a reading I pull the cards, write down initial notes by hand, and then take some time (outside, in meditation, or by journaling) to really let my intuition start downloading. It doesn’t always get channeled so immediately. So, I don’t have to start a timer or take note when I started or stopped. This again makes me feel less pressured by time, and more able to just read the cards and write.

5.) Quality over quantity: More cards does not mean a better reading. More time does not mean a better reading. Say it with me: more does not mean better. As I said in my story above, I would have preferred a $20.00 with only one or two cards, as opposed to a reading that had half the deck, and little to no detailed insight from particular cards. One card can really anchor you into clarification, or speak to your needed questions. Throwing down card after card after card may not always provide the most insight.

No matter as a reader, or a client, the main focus is in the value of each energetic experience. If you do not see what you want or need on my website, reach out to me. My prices are set by the cards I pull, but we can collaborate to create something of utility that honors both energy and budgets.
Photo by Ikhsan Sugiarto from Pexels

Hopefully, this provides some clarity to the way my pricing is set on my website. If you have any questions, or if you have a certain price point but don’t see a spread that fully covers your needs, no worries, shoot me an email at teaandtombstones@gmail.com and we can get a spread that fits your price point and your needs. Thanks for reading. Much love to you!

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Working on the world, your visions, and yourself

Top (left to right): 3 of Swords, 3 of Pentacles, 3 of Cups. Bottom: 3 of Wands

The 3 of Wands is all about stepping into your present to forge your future. This means that you need to merge yourself with the larger energies also present. It is fair to say this is not an easy task when in creation. It can be easy to look on others both close to you or distant and see where their lives have stacked up in a way yours might not have yet. This is something that we often see talked about with social media. We should remind ourselves that what we see is a highlight reel, and not always demonstrative of someone else’s life as whole.

While this is a great point to make, it can be hard to times to remind ourselves of that when we are feeling buried under the weight of what we think must or should do to improve our lives, and the world. In order to engage with the world, work on the world, make a mark on the world, we must also engage with ourselves, work on ourselves, make a mark on ourselves.

For this reason, I think it is important to be reminded of the fact that in the traditional Rider-Waite Smith deck (and even here in my deck: the Ostara Tarot), the 3 of Wands is the only three to show a solitary figure. The 3 of Swords shows no figure, just a heart pierced through and through (worthy of its own post). This correlation shows that the 3 of Wands is often an isolated undertaking. The figure goes from the looking out of his balcony, to being in the action, adorned with a new vision, a new wand, new clothing, and a new headpiece.

So, what does this all mean? I think it means that when it comes to engaging your visions, making your mark on the world, and finding yourself in the process you have to remove the noise from others. That does not necessarily mean that you cannot heed any advice from someone you trust, nor does it mean you cannot ask for help when needed. What it does mean though is that at the end of the day, you have to rely on yourself and your skills. You have to be willing to trust in yourself, and when needed, to remove yourself from the constant chatter of society at large. The dialog with and from others is extremely important, but if it leaves us doubting and questioning the work that we do, it can lead to becoming a very toxic conversation.

Because the 3 of Wands is the card of the month, seek to deepen your own understandings of what is workable and do-able for you and your place in the world by creating some intentional silence. Work on what it is you want to see happen and remove your eyes from the google page to see if it has been done before, unless you looking to research, check facts, or give credit where credit is due. Work on your visions by acting as if you are in a relationship with them, because you are. Give them time to develop into something wonderful, or something no longer worth the effort. Trust that your needs can fit in there without too much force, and when needed your basic needs must come first from time to time. Work on the world by letting that silence be an invitation to listen to what the world needs. Let the work for the world be a resounding drum that comes from your own beating heart. At the end of the day, you and only you, can create your visions into something tangible and external. Only you can create that which you seek.

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Being Honest

9 of Pentacles from the Wild Unknown deck

If I could break down my thoughts this week regarding the 9 of Pentacles reversed, it would be this word: reveal. The word reveal in this context means to take time to reconnect and return to the things we love, or the things we love to do. The beautiful thing about the 9 of Pentacles reversed is that it shows us that we are capable of providing for ourselves the abundance we seek. We are capable of soaking in the sensuality of living in presence to our surroundings. That is not to say that we need to be like this all the time, nor does this card show that we need to relinquish all material possessions.

The 9 of Pentacles reversed is more about intention, and taking to time to find presence with the things around us we love, want, or need. There is a level of true honesty that comes with the 9 of Pentacles reversed. There needs to be honesty about what we have, what we need, and even what we want. There also needs to be honesty about how we reveal this physical abundance to ourselves, and how we use it.

When it comes to being honest about what we have, this means that we need to be able to identify our needs. Like in the picture, the nest may not be as grand as possible, but it is secure and made with love. It holds the precious state of creation without shape. It holds a vibrancy that could make the Sun swoon. Yet, these worldly treasures are so simple. It is about what could be, and how to get there. If the resources used are wrong, those fragile circles would succumb. If it was too grand, that may not have been a wise investment of energy. By naming our needs our needs, we recognize by default our time and space presence. We recognize that through our needs is a space for intention and construction.

We also need to be honest if we are buying, consuming, or using things because we truly cherish them, or simply because they were on sale, easy to get, or fulfilled an idea. We also need to be honest about we want. Do we want something in our home because it is pretty? Do we want to experience something that may be out of budget because we can’t stand the idea of not having the experience? Do we have the means to get that which we want? Again, it is about honesty and intention. If there is something you want, or something you want to do, that’s great. The 9 of Pentacles reversed is simply there to provoke and ask: how and why?

I mentioned in my free newsletter (which you can find under my FREE OFFERINGS TAB) that there is an element of sacrifice and surrender to the 9 of Pentacles reversed. Sacrifice is not a bad thing, but in our consumer-driven society, it is painted as such. Sacrifice here means reconnecting to purpose and priority. That means that perhaps you have something you really want, but you may need to sacrifice that morning cup of coffee, or that night out on the town. If your morning cup of coffee or a night out with friends beats what you want, there is nothing wrong with that.

The 9 of Pentacles reversed is simply asking you to be clear about what and where your values are. If you choose to create a budget so you can afford what you want, then great. Again, it’s simply about clarity. I recognize here that my examples are exceedingly basic. That is because I obviously cannot presume to know what sacrifice will look like to each person. I am therefore using basic examples here to merely make the point. I am also using examples that I know I have confronted recently. I am constantly drawn to buying a tea or snack from the coffee shop at my school. When I realized how much I spending each month, it revealed to me how much I took for granted how far a few dollars go every day.

In my personal opinion, the reason why sacrifice can feel hard is because it is uncomfortable to say no to things. It is uncomfortable to be honest with ourselves and say that we need to do better, make better choices, or find more presence with the things we have. It can be really uncomfortable to place boundaries around a lifestyle we have grown accustomed to. But if that lifestyle is luxury wrapped in debt, we may need to be honest about it. It can feel uncomfortable to say no to things we really want, including experiences, but if they move us out of alignment with our purpose and priorities, it is a needed no.

When thinking about the word reveal, this card really gets to the bones of our structures. Finding presence with ourselves will reveal a lot. Listing where our abundance is, and being honest about sacrifices and boundaries is going to reveal a lot too. It may change some things too. Only you, and each person, knows where those lines lie. No two people will create the same nest, and that is a beautiful thing. No two people will have exactly the same values and priorities. Again, it is all about intention. What you do intend to do this month? What is your purpose? What are your priorities? Start to look at resources you have that be of service to you. Start to be honest about some needed sacrifices that may need to be made. In the end, come back to intention, and you will stay in alignment.

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Insight for the Tower

As a tarot reader and tarot student, I find that I gain more insight from books and articles that have nothing to do with tarot knowledge. Sometimes the connection to completely random characters, or different points in time is what makes the understanding of a card stick. I want to share some insight I gained about the Tower from a beautiful book that I am reading right now.

Right now I am reading Anam Cara: A Book of Celtic Wisdom by John O’ Donohue. This book is a stunning read, and has a lot of insight towards other cards, but one particular passage really stuck out and gave me a deeper understanding of the Tower as teacher:

Often all the possessions we have, the work we do, the beliefs we hold, are manic attempts to fill this opening, but they never stay in place. They always slip, and we are left more vulnerable and exposed than before. A time comes when you know that you can no longer wallpaper this void. Until you really listen to the call of this void, you will remain an inner fugitive, driven from refuge to refuge, always on the run with no place to call home. (O’ Donohue 101)

When I read this passage, I felt like I had the greatest clarity over this card. I mention in my March Newsletter that I don’t read the Tower as this predictive card of bad luck or omens. Why? Because I think that the Tower is here to show something that may be more troubling, but it is perhaps one of the greatest lessons to learn. The passage above is making a reference to understanding the psyche, and how interconnection to home, to landscape, and to nature are ultimately the best healers.

When we engage in small earthly wonders, or even just engaging in the quiet space where our inner self stirs, we are creating a wholesome understanding of who we are and what gifts we have. When we seek outside of ourselves to fill the void of connection, we will always be left searching. The answers are inside of us, but we are often to scared to turn over those rocks and search of the mysteries of ourselves.

The Tower comes to us when we have strayed far from ourselves, and when we have placed vigorous meaning in possessions and situations that are outside of us. These may feed our ego, but they shrink our souls. They rest on the surface like oil, but they make the metaphorical water undrinkable regardless. When we routinely learned how to please the ego, we also learn how to silence the starving soul.

So, with the Tower being our monthly card, take time this month to shed the possessions and choices and people and places that are egocentric. These fill the ego with meaning, but have nothing to offer in terms of deep connection. This can be unpleasant, so don’t forget to feel through this process and this month with the Sea Serpent, keeper of the Second Chakra. Find intimacy, play, pleasures, and creativity. Let these precious spaces help handle the Tower energy.

If you would like to book a reading with me, click on my OFFERINGS tab to see what spreads are currently available. If you would like to read more into my messages from the Tower and the Sea Serpent, you can download my free newsletter under the FREE OFFERINGS tab. I hope this is helpful for you!